Avant-garde rock
On Saturday, Hong Kong's Kowloon Bay International Trade and Exhibition Center was the scene of great excitement. A music festival was getting underway. Penguin Bear Likes to Eat Chicken Ball, its members comprising a woman and three men, opened events with purely instrumental music with a taste of British rock. From the calm opening notes of a song to its more spirited final chords, the waves of the music carried the audience on a roller coaster of emotion, showing what can be achieved without a lead vocalist screaming his/her head off.
Penguin Bear were followed by the band Macbeth playing in a post-punk style, and then Won Fu, famous for its kuso (Japanese style of camp) lyrics. Won Fu was established in 1998 and is characterized by their jubilant style of retro rock. Lead vocalist and guitarist Xiao Min displayed great skill on his guitar, and the whole band collaborated brilliantly. Their vocals set the audience on fire.
At night came Kou Chou Ching, winners of the JPF Music Award 2009. The band uses traditional musical instruments such as the suona (a Chinese woodwind instrument), gongs and cymbals, and a hybrid of musical lyrics in Mandarin, Taiwanese and Hakka. The combination of traditional folk songs with avant-garde rock music created deep and heartfelt excitement. Later, Taiwanese-style classic rock band The Chairman pushed the atmosphere to a frenetic climax. The four members of the band appeared wearing the traditional facial makeup from Chinese opera, evoking an enormous reaction from the audience with screams rending the night air.
"Taiwanese bands are extremely animated and dynamic. The volatile dialect created by juxtaposing the styles of The Chairman and Kou Chou Ching was incredible, something almost unheard of in Hong Kong, where bands generally sing in English. It's like a super evolutionary version of the style created by [Taiwanese rock star] Wu Bai," enthused fan Vic Shing, a student at Hong Kong Polytechnic University. Although few Hong Kong people understand Taiwanese or Hakka, and many are not well versed even in standard Mandarin, they are not aware of any language barrier because they're attracted by the shocking and very powerful music.
The second day's program was organized in a more relaxing vein: the psychedelic feel of electronic rock during the day and post-punk lyric style at night. The latter included Dadado Huang's languid vocal style, and guitarist Arny from We Save Strawberries deeply touched every girl's heart with each silken chord.
The band Echo, nominees at Taiwan's Golden Melody Awards in 2011, then pushed the concert rhythm to a faster pace, with lead vocalist Wu Pochang's wild but sweet voice nurturing audience excitement. Suddenly, at the climax of his set, he performed an amazing "stage effect" bending straight backwards, leaving the audience stunned.
At the evening's finale, the arena was filled with anticipation as the audience were longing to meet their favorite idols. Singer/songwriter Waa Wei's sweet voice demonstrated her extraordinary vocal range and moved many of the audience to tears. Numbers such as Shangrila and If became audience participation events. At one special moment, she lay full-length on stage to sing, creating an emotional high for the evening. As the audience raised their cameras to take photos, the flashes from thousands of cameras lit the scene like hundreds of fluorescent sticks sparkling in the air.
Finally came a new musical duo, Sandee Chan and Chen Jianqi, calling themselves "19." The birth of the team derives from an interesting story. Chen made a lot of music for the theater and advertising jingles, but he wrote only instrumentals. When Sandee heard his music, she sensed an opportunity, and started to write lyrics and polish the songs, eventually producing their records. Sandee, nicknamed the "Dark Princess" by fans, a winner of the Golden Melody Award for best female singer, and a judge in a popular TV talent show, enjoys great fame in Hong Kong. The audience became intoxicated with her light electronic music style, bringing the two-day event to a close with lingering encores and applause for a good 10 minutes.
The Chairman,Sandee Chan and Waa Wei showed Hong Kong that independent music artists can also make their mark and find resonance with fans.