Doctor Strange
With the nature of an artist and rather taciturn, Yan has never stopped learning himself, and every new cinema idol on every new poster is a chance to innovate and learn.
Yan brings out from his workshop a piece he produced last year for the film Doctor Strange. He says with satisfaction, “This was a challenge of the highest level of difficulty. It’s a distillation of everything I’ve learned in my life.” The painting looks even cooler than the poster, and Yan considers it one of his master works, representative of his philosophy of capturing the “core essence” and bringing out the mobility and three-dimensionality of the facial features.
The course started by Yan and the Chuan Mei Theater now has several regular students. But these acolytes are still far from being ready to strike out on their own, and their performance still falls well short of Yan’s strict demands.
Wu Haoze has been studying with Yan for three years. When he first started out studying oil painting he couldn’t do anything right, and he is still working to master Yan’s style and painting techniques. He frequently acts as Yan’s assistant, doing odd jobs and menial tasks while he humbly awaits the day of enlightenment when he grasps Yan’s idea of the “core essence” and can himself produce the quality of work seen in the Doctor Strange poster.
Yan, who has spent a lifetime steeped in handcrafted art, has in recent years been afflicted with detached retinas, but still he won’t give up on this creative work that he loves, and has no time to rest. As he has never married, Yan sees painting as his lifetime partner, and although it can be said that movie billboards are based on posters, there is still plenty of room for creativity and innovation.
In his spare time, Yan studies oil painting, and he has even done a self-portrait in the manner of Van Gogh. It’s a great outlet for him. Seeing how well his works are being received today, Yan feels thrilled, but in his usual self-effacing manner he gives all the credit to his teacher, Chen Fengyong.
The advent of printing technology changed human civilization, and in recent times computer-printed movie posters have had a major impact on one of the most cherished of Taiwanese theater traditions, so that the art of hand-painted film billboards is disappearing. Moriyama and Yan Jhen-fa, one in the north and one in the south, are two masters still focused on making movie posters into creative works of art, leaving a legacy of local Taiwanese culture that will be remembered at home and abroad.
The Chuan Mei Theater has started up a course in hand painting of movie posters and billboards, taught personally and in a hands-on style by national treasure Yan Jhen-fa.
Chiaki Ito, a young Japanese woman who caught the eye of the Taiwanese public by doing a circumambulation of Taiwan last year, has come back to study under Yan Jhen-fa.
Yan, who has spent a lifetime steeped in handcrafted art, has in recent years been afflicted with detached retinas, but still he won’t give up on this creative work that he loves.
This photo shows Xie (in the center), then only 19, with one of his early works.