Transforming down-home culture into dance
As the performance dates draw near, Lim and Cheng hold promotional seminars in Kaohsiung and Taipei to create more buzz. They begin by talking about their first meeting, in a Taipei cafe.
The choreographer and the musician huddled in a fashionable coffeehouse, talking about life, creative work, and everything. Despite being a generation apart, no topic of conversation was off the table. In over a year of such conversations, the two discovered that they shared a creative philosophy.
“Both of us want to try and blow open the doors on creative work, finding the parts of our culture that have traditionally been excluded or considered ‘unrefined’ or ‘inelegant’ and reappraise them, seeing them for what they are and admitting that we are the products of this environment. From that, we then aim to express these ideas through dance or music,” says Lim.
Twenty years ago, Lim’s song “Moving Forward” swept across Taiwan; in 2002, he decided to step out of the limelight, working behind the scenes and focusing his efforts on film scoring and collecting Taiwanese folk music.
From his past pioneering work in Western-influenced rock, Lim returned to his roots “in pursuit of cultural consciousness,” he says. With a similar sentiment having been on the rise in recent years, some have sought to satisfy this yearning for the grassroots by mashing together stereotypes like temples, mediums, and other such elements into a cultural collage. Creators have taken to using the culture for the sake of using it, rather from any sense of authentic love and appreciation. “If you want to enrich the local culture, there are plenty of things worth digging into beyond just the late 19th and early 20th centuries,” says Cheng.
Cheng Tsung-lung began dancing at age eight, taking dance classes all through elementary and junior high school, then going on to major in dance at Taipei National University of the Arts and finally becoming a dancer for Cloud Gate. Trained in the Western style, it wasn’t until he finally reached the world stage that Cheng realized he had virtually no understanding of his own hometown culture and decided to take “makeup classes” in it.
Through 2014’s Dorian Gray and 2015’s Beckoning, he learned elements of temple culture, including temple parades and traditional mediumship. Even as far back as his first pieces as a choreographer, Yao in 2005, and 2011’s On the Road, both sporting appearances of the “Eight Generals” formation, it was already apparent that Cheng hoped to use the collective memory of Taiwanese as the roots of his creative work. His latest piece, 13 Tongues, is based on the story of an eponymous street performer from Wanhua.
The prototype of the piece was a tale told to Cheng by his mother. One day, in the car after a performance of Beckoning, Cheng excitedly began sharing with her all he’d learned about temple culture. Having spent most of her life in Wanhua, nothing he was saying sounded particularly unusual to Cheng’s mother. Back in the 1960s, she said, there was an even more impressive street performer in the area known as “13 Tongues.”
A medicine peddler by trade, 13 Tongues would walk onto the temple plaza and begin putting on all manner of traditional Taiwanese performances, playing both male and female roles and showing skill in all aspects of performance. As his shows drew to a close, amid the rapturous applause 13 Tongues never forgot to promote his medicines. Every time he set foot on the plaza, people would excitedly rush around telling everyone “13 Tongues is here! 13 Tongues is here!”
Capable of switching from high-pitched voices to low ones in a moment, 13 Tongues could change characters at will—the very essence of theater. Overcome by excitement, Cheng Tsung-lung knew that he wanted to create a piece around this story. And thus 13 Tongues was born, seemingly opening a window on the world of a younger Cheng, bringing to life one scene after another from his childhood.
Cloud Gate 2’s artistic director Cheng Tsung-lung visited a local temple to ask for the gods’ oversight as he arranged the chants, dances, and songs of 13 Tongues. (courtesy of Cloud Gate)