Teaching art on tablets
Apart from 42 netbook computers for use as electronic bookbags that were purchased in 2009, in 2012 the school added 25 tablet computers, which are used for teaching art.
Art teacher Zhang Junhui first spent a month learning how to operate the art software. She points out that the software is capable of imitating watercolors, oil paints and other media. It spares her the hassle of having to prepare all kinds of materials and of having to clean up the inevitable mess. And it also allows her to integrate art with other curricula, such as by inserting these dynamic drawings into travel journals assigned for Chinese class.
The software allows users to choose from a wide range of media, but requires them to work separately on different digital layers. You’ve got to have both an aesthetic sense and control over your computer to succeed. “One student had excellent art skills with traditional media, but because he had little exposure to computers at home, he couldn’t switch over,” recalls Zhang. “He found it really difficult to use.”
Curriculum director John Chen points out that the stylus that comes with the tablet is one of its most important features. Using the stylus, students first create an outline on their tablet computer’s screen. They then select and apply media to put on top of it. As if by magic, watercolors or the “textured” brushstrokes of oil paintings suddenly appear on screen.
The students have demonstrated great excitement about creating art on the tablet computer. “The children have shown a lot more enthusiasm for learning,” Zhang Junhui says. When their class is in session, students from other classes circle around and watch.
Seamless transition
Zhongyi’s digital classrooms have a raised floor, and the students take off their shoes and wear slippers in class. There are power outlets in the floor, and the desks have angled tops to make it easier to read tablet computers.
As for worries that the digital classroom will lead to nearsightedness, the school has prudently taken precautions.
“We have taught students how to dim their computer screens to make their eyes more comfortable,” emphasizes John Chen. Every term the school conducts eye tests, and the results have shown that there isn’t much difference in the vision of the students in the digital classrooms from those in the regular classrooms.
As for the academic results of the program, Chen points out that although the students’ progress has only been slightly higher than that of other students, creativity, critical thinking skills, and ability to collaborate with peers are skills that are hard to test and put a number on. Comparing their skills in these areas to those of students in traditional classrooms will require surveys or thematic presentations in order to judge.
Essay writing is an indicative activity. Chen says that writing is based on a foundation of ample reading. In traditional classrooms, with the focus put on the textbook, it is difficult for students to extend their learning. In this respect, digital classrooms are far superior, and students have improved tremendously as writers.
Zhongyi Elementary has already realized the dream of a paperless classroom. Teacher Chen Dingqin is looking forward to a future platform that is even more comprehensive and ergonomic. “So long as the tools are easy to use,” he says, “the transition from traditional schooling to e-learning should be a seamless one.”