Cultural diversity
Hung Hao-lun also has butterfly pea (Clitoria ternatea) growing outside his studio. Common in Thailand and Malaysia, this perennial herbaceous legume has caught on in Taiwan in recent years because its blue flowers, rich in anthocyanins, make an excellent natural dye. While people in Southeast Asia use the flowers as a food coloring, Hung uses them to make pigments for paints. The introduction of the butterfly pea reminds us that the colors we derive from the natural environment are not static.
People used to go to great lengths to obtain certain colors, but in the modern world, where technology, transportation, and information exchange have all made great strides, we enjoy ready access to almost all colors, no matter how rare they once were. The rich variety of colors that surrounds us is a result of globalization, and of exchange and cross-fertilization between different cultures.
In our highly developed, commercialized urban areas, where people from various places and backgrounds congregate, in the absence of strict legal restrictions all kinds of colors are sure to proliferate. In Taipei City, for example, the National Palace Museum, the National Theater, and the National Concert Hall are decorated in the Qing imperial style (hexi caihua), using royal colors; the Presidential Office Building, built by the Japanese during the colonial era, is composed of red, white, and gray; the entirely white commercial buildings constructed in the postwar period demonstrate the influence of modernism; and of course, there are also buildings that combine residential and commercial purposes, with wall tiles, shop signs, awnings, and corrugated metal roofs of all sorts of colors and shapes.
Taiwanese people are used to the multicolored coexistence of a great variety of modern building materials and textures, as well as of various industries and ethnic groups. “To put it positively, this is a manifestation of democracy,” says Ling Zongkui, a cultural historian.
Countries that have a rich cultural history, like Japan, often exhibit strong preferences for certain colors, to the exclusion of others. But Taiwan, whose cultural fabric is shaped by immigrants from many different places, doesn’t really have any representative colors. This actually reflects the uniqueness of our culture and history. Despite its small size, Taiwan is an island that has embraced people of entirely different ethnic and social backgrounds over the past few centuries. Throughout this short time, the Taiwanese people have learned to coexist with each other, with no single group wielding absolute power. Taiwan’s history is one of human migration, and its prosperity consists in the harmonious coexistence and mutual acceptance of its people. So, what are Taiwan’s colors? We can say that in a country that prides itself on diversity, all colors are indispensable.
A work from the Journeys Across Taiwan series. (courtesy of Hung Hao-lun, Taiwan Primary Colors Studio)
White Champaca 01.(courtesy of Hung Hao-lun, Taiwan Primary Colors Studio)
Longing for the Light—Wild Plants. (courtesy of Hung Hao-lun, Taiwan Primary Colors Studio)
Shanlinxi—The Faces of Plants. (courtesy of Hung Hao-lun, Taiwan Primary Colors Studio)
Pigments derived from nature remind us of Taiwan’s abundant natural resources and diverse cultural history.
“Using plants to draw plants, and local resources to represent local things”—it is here that artists demonstrate their poetic sensibility.