The devil is in the details
Although he is extremely nearsighted and suffers from amblyopia, Hank Cheng has enjoyed models, design, and painting since childhood, “and I’m super detail-oriented,” he says. At every turn of life, he’s experienced more difficulties than others but has also achieved surprising successes.
“2021 exhibitions have been postponed due to the pandemic,” says the hardworking Cheng, “but I haven’t been idle. I’ve finished five new works in my spare time.”
After creating nearly 30 classic dioramas, Cheng has published a book sharing his working techniques and continues to turn out new models. His materials mainly consist of bits and pieces of discarded or dismantled objects, which he shapes, paints, and deliberately ages. Those viewing the finished products are often unable to identify the materials’ original forms.
He included his mother’s old wristwatch in a new work, Time Passes Like Flowing Water (scale 1:35), a miniature watch repair shop set in an old-fashioned Western clock. A Japanese friend had purchased the clock in an antique shop and sent it to Taiwan as a wedding gift to Cheng.
When asked if he ever sees anything without thinking “What can I do with this?” Cheng laughs and nods vigorously: “That’s me, all right!” A diorama modelist’s greatest pleasure is turning ordinary objects into detailed, realistic miniature artworks.
To complete Seongwoo Barbershop (scale 1:35), Cheng searched the Internet for old photos of the century-old business taken from various angles, and perfectly copied the Korean flyers and notices on the telephone poles and the wooden walls. He also replicated details such as peeling paint on the shop’s window frames and rust spots on its weathered tin roof.
Like Lee Chien-chu, Hank Cheng foregoes magnifying glasses when he works. In addition to visual realism, Cheng also strives for proportional accuracy. He carries a tape measure and vernier calipers nearly everywhere he goes.
“The simplest way to express Taiwan’s uniqueness is to create dioramas that can impress or touch viewers.” That’s Hank Cheng’s philosophy.