Seeking consensus
In the results, Taiwanese puppet theater--from the "cultural artifacts" category--took the top spot with over 130,000 votes. Close behind was Yushan, from the "scenic symbols" category. Karaoke, Taiwan's "national pastime," was submitted by the public and garnered more than 100,000 votes. In fourth place was another submission from the public--the animated "little green man" from Taiwan's crosswalk signs. Submissions from the public, however, were open to online ballot stuffing as voting for them was not subject to an identity check. As such they were only used for informational purposes by the organizers, and were not counted in the official results.
What, after all, are the defining characteristics of Taiwan? What are the most unique and beautiful things about Taiwan? GIO minister Cheng Wen-tsang says that from the start they wanted to avoid having the selection process be a top-down affair with the government making all the decisions, and stressed community involvement every step of the way. They hoped to find the "highest common denominator and the greatest overlap" which best matched public sentiment. Even if the final result is not everyone's favorite, one has to admire this inclusive process.
Tseng observes that democratic progress, technological innovation, and emphasis on a Taiwanese identity are the ideas that Taiwan, as a newly developed nation in transition, wants to get across, and the international community has already developed such an image of Taiwan. The results of the poll for a national image could fit well with these core values of the nation.
As for the top choice in the vote, Taiwanese puppet theater, Cheng says that it is an artform that is unique to Taiwan. It is performed indoors and outdoors, and on television. Lights and special effects have been incorporated into the shows, and there is a TV channel dedicated to puppet theater. There was even a film, Legend of the Sacred Stone. The artform has stood the test of time and always attracts a young audience, so it was a perfect choice for a symbol of Taiwan.
Recently, the fourth generation in the lineage of puppet master Huang Hai-tai introduced Taiwanese puppetry to American audiences with the show Wulin Warriors airing on the Cartoon Network. This was a hot topic on Internet forums, and a wave of fans voted for puppets as the national symbol. Yunlin County, the "home of Taiwanese puppetry," even encouraged its citizens to get out the vote. This was another factor in puppets' win.
"In some way, puppetry represents the awakening of a 'local culture' in the age of globalization. It also shows our confidence in and love of cultural tradition. I think we can use it to represent Taiwan," says Cheng.
Taiwanese puppet theater is performed in the Taiwanese language, however, and therefore not representative of all ethnic groups in Taiwan. Aboriginal cultures, for example, have no traditional puppetry at all. Luckily, puppet mania has swept the schools and now the artform has fans of all ethnic backgrounds. The GIO also plans to sponsor a puppetry tour abroad so as to introduce the art to international audiences and therefore strengthen the association of puppet theater with Taiwan.