Mazu’s unique headgear
Guo relates that every deity has his or her own unique rank, requiring different types of headgear. For example, after Mazu was promoted from Tianfei (“Heavenly Consort”) to Tianhou (“Empress of Heaven”), her headgear also changed. Because there is no fixed pattern for deities’ headgear, each craftsperson must rely on their own knowledge and skill. Guo has always insisted on personally measuring the head size of each deity, because he wants to ensure that the headdress perfectly fits the shape of the statue’s head, as only then will it appear neat and beautiful.
This is why Guo and his wife have ridden all over Taiwan on their motorcycle, and he even paid his own way to fly to Penghu to take measurements. He also insists on delivering the finished product in person and placing it on the deity’s head himself, only considering his work done after meticulously adjusting every detail.
Not just an accomplished craftsman, Guo in fact seems more like an artist. On one Mazu crown which was only 12 centimeters in circumference, Guo included nine dragons and four phoenixes. He even insists on making complex designs on the back of his deities’ headgear, a place that few people even notice. Looking closely at one of Guo’s works, we see that for the body of each openwork dragon he first weaves silver wire strand by strand into a fine mesh, then solders the strands together and places the mesh onto a mold to form it into a cylinder, before finally trimming it into shape. It is truly meticulous precision workmanship.
In 2000, he was commissioned by Tianhou Temple at Lu’ermen in Tainan’s Annan District to make a crown for the Mazu statue in the main hall that would be about 146 centimeters in circumference. “This is probably the biggest deity’s headdress in the entire world,” says Guo confidently.
Lu’ermen’s Tianhou Temple draws many worshipers, and over the years the crown became very dusty from the incense smoke. In 2021 Guo was again commissioned to clean and restore it. He first carefully removed every decorative piece from the crown, and then used a flame torch to restore the crown’s color, after which he soaked it in hydrogen peroxide to loosen the dirt, brushed it clean, electroplated it, sprayed it with a protective film, and finally reattached each of the accessories one by one. Although it is more than 20 years old, the crown still looks like an exquisitely wrought work of art, adding to the dignity and grandeur of the main hall’s Mazu statue.
Seeing Guo’s expression as he attentively gazes at a deity’s headdress, we ask him if there is anything with which he is not satisfied. He replies: “Whenever I complete a headdress, I look to see what I can improve upon. This is the only way to make the next one even better.” He continues to pursue excellence, saying “I will make deities’ headgear until the day I drop, and that last piece will be my finest work.”
Guo Chunfu has been using his metalworking skills to make deities’ headgear for nearly 60 years. He is one the few craftsmen who can make such headgear out of various materials including silver, bronze, and paper.