Continual exploration of music
During the Covid-19 pandemic, Tokyo Chuo-Line put out the album Fly By Light in hopes of giving people hope through music. The song “Moonlight Between Towers,” written by Nori, describes the scene he saw from his window at a quarantine hotel, and how it affected his emotions. Meanwhile “Long Distance Love” was written by Ken. After the band members heard the song, they had a discussion together to come up with the song’s name, which they hoped would convey the idea that even in the midst of the pandemic beautiful things could happen.
Having also been members of Sheng Xiang and Band for ten years, how has this experience with Hakka music affected their own work? Ken states that the melodies in Hakka music have a lot of variations, and this has subtly affected his playing, so that when improvising in performances he will naturally play melodies from Hakka folk songs. Toru greatly admires the “pure beauty” of band leader Lin Sheng-xiang’s music, saying that the themes he writes about and the melodies he creates are very accessible, yet also profound.
Talking about the relationship between jazz and Hakka music, David of the Muddy Basin Ramblers says, “I’ve heard Lin Sheng-xiang say that Hakka ‘eight-tone’ music is very similar to jazz.” Meanwhile, in a prior interview with the online platform Taiwan Beats, Ken noted that there is no concept of scales in Hakka music, and this reminded him of how he once heard jazz singer Sarah Vaughan sing notes that the piano could not play when she was scat singing.
Besides working in the field of Hakka music, Tokyo Chuo-Line has also collaborated with artists playing many different styles of music, such as hip-hop singer Leo Wang, and drummer Lo Tsun-lung from the rock band “Sunset Rollercoaster.” They enjoy the process of trying new things when performing with them. When I ask which Taiwanese musical artists they would like to work with in the future, they think for a moment, then answer: “If there’s a connection there, anyone is OK with us!”
As saxophonist Hsieh Minyen describes them, Tokyo Chuo-Line is not limited to any particular genre of music, and always take risks in their work. This attitude enables them to continually cross over into different genres and to seek out every possibility in Taiwan’s diverse musical environment. Toru and Nori, who both live in Japan, willingly fly back and forth to Taiwan because here there are many potential partners with whom they can make music.
Nori on drums. (courtesy of Now Music)
Ken on guitar. (courtesy of Now Music)
Toru on bass. (courtesy of Now Music)