The move to broadcasting
She made her starring debut at age 16 in the opera Lu Wen-lung. Her performance was well-received, catching the eye of the Sai Chin Pao opera troupe. The troupe took her on, and she was promoted alongside Hsiao Ming-ming, Hsiao Feng-hsien, and other popular stars as the troupe's "Seven Immortals." They went on a six-month tour of the Philippines, where there were many wealthy ethnic Chinese. Though it was hard for Yang to be away from home for the first time, she earned enough money to buy her first house and developed a Southeast Asian fan base.
She returned to Taiwan to find that opera was in even worse shape than before. It was largely relegated to outdoor religious ceremonies, weddings, and funerals, so opportunities to perform were few. Though she'd just returned from a successful tour, she was to be out of work for an entire year. While she was worrying about her economic situation, the Chengsheng Broadcasting Corporation was starting to put Taiwanese Opera on the air. It brought on the Tienma Opera Troupe to perform radio shows, and Yang became a radio performer, renewing her faith in the opera.
"I never realized that a Taiwanese Opera performance doesn't have to rely on bodily motions," she says. "You can make opera lovers hear it all with just a microphone." As there was no audience watching, money could be saved by having one performer use different voices to play several characters at the same time. Performing in falsetto was hard on Yang, who in the past had always pushed her voice low to play male characters. But the experience gave new exposure to her talents.
Performing opera using only her voice was not Yang's greatest challenge. The only television station at the time, TTV, was also looking to add Taiwanese Opera to its programming. Yang's troupe, Tienma, beat out the competition with a performance of Loyal Yue Fei with her in the lead. It won a weekly spot on television.
"It's stressful doing a live TV broadcast," she says. "You can't make any mistakes at all in positioning or staging. At that time, the performances weren't recorded, so I could never see how I did. I could only get feedback from family and friends afterwards." Yang's mother was her most loyal viewer, and the advice she gave was professional and straightforward. Yang owes a lot to her mother's input.
Since retiring, Yang has spent her time gardening, tending to her pets, and studying flower arrangement on her own. Her style is reminiscent of the male characters she plays in the opera.