Stable of stars
In the 1970s, Taiwanese-made films gained popularity. That was the age of "the two Chins and the two Lins"--Charlie Chin, Chin Han, Lin Fung-chiao, and Brigitte Lin. Haishan once again worked with the film industry, putting out song after song from hit movies. They included Jenny Tseng's "Promise" and "Rain in the Sun," Feng Fei Fei's "Maple Leaf Love" and "The Early Spring," and Fei Yu-ching's "Song of the Republic of China," which was a hit with ethnic Chinese all over.
Chen Ho-ping, who was in charge of promotion for Haishan in those days, says those were the company's golden years. Many artists signed to other labels made the jump over to Haishan at that time, and the company ended up with more than 80% of the famous singers of the day.
That Haishan was able to outpace the other record companies and take the top position in Taiwan's music world was due to its unique vision. Soon after it was formed, Haishan began to capture songwriters and lyricists. It managed to assemble a large team of all the big names in the business, including songwriters Tso Hung-yuan, Luo Ming-tao, Liu Chia-chang, Lin Chia-ching, Weng Ching-hsi, and Huang Min, as well as lyricists Shen Chih, Chuang Nu, Sun Yi, and Lin Huang-kun.
As the records were selling well, the writers and lyricists had more and more work to do. Experienced lyricist Chuang Nu says that when he and writer Tso Hung-yuan worked together, Haishan was always after them to produce songs, and even working all their waking hours they couldn't fulfill the market demand.
"To get away from the record company Tso Hung-yuan and I would hide out in a hotel in Hsimenting. Nobody besides our families knew where we were! We ended up staying there for a couple weeks before we forced ourselves to squeeze out a couple songs," Chuang recalls. He says that those glory days were tough, but something to be proud of.
In 1975, "campus folk music" took Taiwan by storm. New Style Records organized the Golden Melody Song Contest, which attracted many singers. Haishan also jumped on the bandwagon, organizing its own folk song contest which also drew submissions from a number of outstanding folk artists and songwriters. Entries that proved to be classics of the campus folk genre included "Just Like Your Tenderness" by Tsai Chin, "Little Country Road" by Yeh Chia-hsiu, "Dream of Red Mansions" by Chen Shu-hua, "Orchid Grass" by Yin Hsia, and "Grandmother's Penghu Bay" by Peng An-pang. Even today, those songs will strike a note of nostalgia in the hearts of Taiwanese born in the 1950s and 1960s.