Fear not death for it is fated
In addition to local ballads, Lin also learned to perform for the dead (Qianwang Ge). Since he played the three-stringed sanxian, while in senior high school he was invited to serve as musical accompanist for Qianwang Ge performances at funeral rites. When young he lived near a cemetery and it was not uncommon for funeral processions to pass by. He saw his grandmother lead the village women to the grieving family’s home, lay out their mats, seat themselves and help sew mourning garments of coarse hempen cloth.
To him, traditional Daoist rites are not superstition, but rather a symbol of community cohesion. For this reason, Qianwang Ge—rarely encountered by the general public—is full of grassroots vitality in Lin’s eyes.
He gradually learned about the roles of the musician, Daoist priest and other perfomers, and the more he learned the more he discovered their deep cultural connotations. For example, in Qianwang Ge one hears: “The third case of grand wealth and rank was Lord Shichong, / A hoarder of gold and jade who sported an illustrious family tradition. / But the God of Death does not pocket another’s treasure, / And with a single brushstroke struck him off the Ledger of Life and Death, / Condemning him to nullity.”
These lyrics appear to encourage the deceased to abandon their attachment to the mortal world, but they are actually intended to make the listener consider that no matter how much wealth is acquired during life, it cannot accompany you after death. As life’s conclusion nears, how should one best grasp what is left of it, and prepare to leave it behind?
Rich in the philosophy of life, the texts of Qianwang Ge contain stories of exhortation to goodness and filial piety. They are superb material for teaching how to come to terms with death.
Having participated in countless Qianwang Ge performances—including those for his paternal grandparents—death has taught Lin to seize the moment.
He has held classes at National Yunlin University of Science and Technology, and recruited a group of youths to form the Fleeting Life Qianwang Ge Troupe. Via hands-on teaching, he instructs students about the related costumes, props, dance postures, lyrics, musical accompaniment and so forth. He hopes to help more people understand the beauty of traditional Taiwanese culture.
Made-in-Taiwan lute museum: Each instrument hanging in the Lin family’s living room is a crystallization of the master luthier’s life.