To the Chinese spring is the most important season of the year, while morning represents the best part of the day. Therefore, the morning of the first day of spring carries with it a, special significance. On this day (which is the first day of the Chinese New Year according to the lunar calendar) all the troubles and misfortunes of the past year are gone, while the promise of a fruitful and prosperous year lies ahead.
In honor of this auspicious morning, painters since the T'ang dynasty (618 A.D.) have captured the festive excitement that only the first day of spring can bring. These paintings, called Sui Chao (Morning of the Year) vary little in subject theme no matter the dynasty, emperor or artist. They all present the visual kaleidoscope of activity that marks this propitious occasion.
Painted during the reign of the Ching dynasty emperor Ch'ien Lung (1736-1796 A.D.), the painting is the work of the court painter, Yao Wen-han.
Fine, colorful strokes capture the joyful spirit of an entire household taking part in the spring festival. Attired in new outfits, young and old, servant and master enjoy the festive activities. Red, the symbolic color of good fortune is in evidence everywhere, whether as part of the main dress or as a colorful embellishment such as a sash or shoe.
A peek inside the rooms of the house reveal a host of activities and traditional customs. The decorative screen in the dining area features flowers blooming in all seasons, while a vase of lovely peony set on a stand symbolizes wealth and prosperity. The table is laden with delicious cakes and delicacies to serve to the many guests calling on the New Year.
Complementing the flurry of household activity, the carefree playing of the children further heightens the message of hope and joy for the coming year. Romping merrily beneath the lovely mei (plum) blossoms, the children are engaged in a host of games and activities associated with spring and the festival.
Despite its distance from the technological bustle of today's society, the Sui Chao paintings are a poignant reminder of the eternal hope of spring.
(Gerald Hatherly)
