South Asian dance and culture
Indian culture is much more than just Bollywood. Jennifer Hsuan Chen Liu, who has studied dance in India for ten years, has introduced students to the graceful and harmonious Mohiniyattam classical style of dance, as well as the meaning of classical mudras (hand gestures), through her workshops here in Taiwan, thereby enabling people to better understand Indian culture.
Liu says that classical dancers are like storytellers, relating the stories of deities and everyday philosophy to audiences. In particular, the Indian classical dance form Mohiniyattam must be performed with the correct mudras.
Liu is one of the few dancers from Taiwan to make a living in Bollywood, in the Indian city of Mumbai. She has performed Bollywood dances in six films, including “Dhaani Chunariya” in the film Super Nani and “Lucky Tu Lucky Me” in the film Humpty Sharma Ki Dulhania.
But she didn’t want to get lost in a crowd of dancers, so she went to Kerala Kalamandalam, a school for the performing arts in India’s Kerala state, to learn Mohiniyattam classical dance. She discovered that there are many links between Kerala and ethnic Chinese people. For instance, Kerala has snake-boat races, which are similar to the dragon-boat races in Taiwan in summer. There is also a great deal of Chinese-style architecture. She consequently organized a Taiwan Film Festival in Kerala, which she hopes to use as a base for developing a Taiwan arts festival in the future.
Liu also got together with some local artists in Kerala to form “Kala Taiwan” (kala means “the arts” in Hindi). She hopes to combine traditional Taiwanese tales like “The Legend of the White Snake” with classical Indian dance to create hybrid dance dramas that can be performed in Taiwan and India.
As The Geography of Creativity, a report produced by the UK’s National Endowment for Science, Technology, and the Arts, points out, artists are searching for catalyzing places “where people, relationships, ideas and talents can spark each other.” Mohamed Mamdouh, who has come to Taiwan from another land, and Jennifer Liu, who has spent a decade traveling between Taiwan and India, have both found places where they can make optimum use of their skills and make artistic fires out of such sparks.
Indian dance uses facial expressions and hand gestures to express a wide range of emotions.