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Taiwan Panorama / Archive / Ethnicity and Culture / Hakkas
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Archive
 
 
Ethnicity and Culture / Hakkas
  
page 1 of 2 Total articles: 18
Feature Archive
The Land of 1,000 Ponds— Taoyuan’s Irrigation Ponds Facing Crisis
Coral Lee/photos by Jimmy Lin/tr. by Scott Williams
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The Land of 1,000 Ponds— Taoyuan’s Irrigation Ponds Facing Crisis
Jets slowly descend into Tao­yuan International Airport, offering...
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  The Taiwan Panorama Archive is a database of articles and pictures from Taiwan Panorama magazine from 1996 to the present. It is an important tool for understanding social development and cultural change in Taiwan. Articles are listed by category, and are also searchable by keyword using our full-text search engine.  
   
1．
Malaysia's Hakka: Working for Profit, Striving for Knowledge
2008/10/p.117─Onn Huann Jan, Director, Dept of Chinese Studies, Southern College, Malaysia/photos courtesy of the Char Yong (Dabu) Association/tr. by Scott Williams
 
2．
The Hakka of Singapore and Malaysia Hakka Culture in Singapore
2008/10/p.114─(Lim Kian Seng,Wang Peiqi/research by Tan Lai Hua and Lu Laide/photos courtesy of the Char Yong (Dabu) Association/tr. by Scott Williams)
 
3．
Harmonious Threesome
2007/10/p.040─(Lin Hsin-ching/photos by Chuang Kung-ju/tr. by Scott Gregory)
 
4．
Songs from the Soil--Lin Sheng-xiang
2007/10/p.030─(Lin Hsin-ching/photos by Chuang Kung-ju/tr. by Scott Gregory)
 
5．
Hakka Images
2006/4/p.097─text and photos by Chi Kuo-chang/tr. by Jonathan Barnard
 
6．
Braving Turbid Waters-- Life and History in the Work of Chung Chao-cheng
2005/3/p.036─Eric Lin/photos courtesy of Chung Chao-cheng/tr. by Julius Tsai
 
7．
Banana Boomer from a Lost Generation-- Ku Teh-fu and His Disappearing Fortune
2000/9/p.120─(Laura Li/photos by Jimmy Lin/tr. by David Mayer)
 
8．
Opera, Anyone? Hakka Traditions in Transition
2000/6/p.094─(Chang Chiung-fang/photos by Hsueh Chi-kuang/tr. by David Mayer)
 
9．
Building a Hakka Utopia? Meinung and Liuchia at a Crossroads
1999/10/p.116─ (Chang Chiung-fang/photos by Vincent Chang/tr. by Scott Williams)
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